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www.lizi.tw栗子小说 m.lizi.twe
ntrollingrhythfthebrush,calledfyi.tiansthe”ion9iists
nd.tokeaesedrato”eoutaion5ksiehyi.before
osthebrushonthepaper,theartisthasadefinitenind;then
ashedraingoutthatihcertainstrokes;he
brooksnointerferenceofirrelevancies,andaddsathereto
preservetheanicrhythandheessentialionin
hisnd,heleavesoff.forthatreasourelivesbecausetheion
behinditlives.itislikereadingagoodepigrathetheflavour
reins.theeseartistsexpressthisteiquebysayingthat”theion
precedesthebrush,andhebrushhasdosheionstill
reins,fortheesearensuatestersinsuggestionand”leavingoffat
therightnt.”theylikegoodteaandoliveshgivea”backflavour,”
hiereatingtheoliveordrinkingthe
goodtea.thetotaleffeptyandalive,”earevitalityupledyofdesign.
esepivesesepaintingitsspirit.asstatedalreadyinthediscussionon
poetry,itreoftenhappensinathanithepoetisapainter,and
thepainter,poet.poetryandpaintingefrohesahunspirit,anditis
naturalthatthespiritandiee.wehaveseen
hoinginfluencedpoetryinperspective,becausethepoetseyeisthepainters
eye.buthepaintersspiritisthepoetsspirit,hohepainter
shoeiressiohodofsuggestion,thesaehasisonan
indefisphere,andthesapaiionhnature,h
oodauresquentare
oftenthesa,aistndiry
also,halittlecultivation,expresstheotherinpainting.
first,issthequestionofperspective,eers,by
explainingonavery
highuntaintheperspectiveoainsoftheahigh
altitude,say,fronaeroplaneflyingsixthousaabovetheearth,stbe
differentfroheperspectiveontheordinarylevel.thehigherthevantagepoint,the
less,ofurse,thelineso.thisisalsovisiblyinfluencedby
theoblongshapeofesescrolls,the
froundatthebottofthescrolltothelihehorizonatthetopofthescroll.
likethedeepaiheeseartistsoportray,ybut
theiropressionsofreality,andhehod.thetrouble
pressionistsisthattheyarealittletoocleverandalittletoological.
halltheiriy,theeseartistsarenotabletoproduceartisticfreaksto
startlethelayn.thebasisoftheiriressioniss,ashasbeenexplaihe
theorythat”thenustpreaterial
reality,therefore,buttheartistsionoftherealityisthepurportofthepainting.
theyreerthattheyarepaintingforfelloanbeingsandtheions
stbehunlyintelligibletoothers.theyarerestraihedoeofthe
goldenan.theiriressionissthereforeahuniressionisinpaintinga
picture,theirobjectistonveyaunifiedioo
includeandtoleaveout,resultingintheffunglingquality.
sinaryiortahegreatestpainsstbetakento
nceiveapoetiception.inthesungdynasty,petitive
exanationsinpaintinguheierialbureauofpainting,his
ionofthepoeticeptionoverruledeveryotherstandard.invariablyit
hepaintiionthatischaracteristic
thatthebestnes
selves,sin.
buttheiyliesisuggestiveinterpretationofthatpoetie.afeplesinations
wasaline:
baoosverahebridge.
orstriedtorateonthehetreofthepicture.
therean,hoboogrovebyitsside,
andhiddeninthatgrove,onlyashopsignbearingthecharacter”no
all.andthispicturehehe
igination.anothersubjectgivenweiing:
atthedesertedferry,aboatdriftsacrossbyitself.
thepoethadalreadyusedthethodofsuggestioninnveyisphereof
silenddesolationbyshohattheboat,leftalone,driftedacrossbytheforce
ofthecurrent,butthepaintercarriedthethodofsuggestionfurther.thewinning
picturehisfeelingofsilenddesolationbydrawinga
birdrestingo,andanotheroneabouttoperit.thepresehe
birdsheboatsuggeststhattheboatanbeingswere
about.
thereosphereofluxury
intheriodepainter,sickofpaintiy,ryto
suggest.buthebleofasaxophohatgically
peratesthroughachaagneglassthatrestsonaahathides
uhreequartersofatrazesoverthefunnelsofa
gunardlic,,etc.theeseiressionistpainted,hoh
nsioninthebackground,aidpeepingout
andpoutabasketfulofrisdelicacies,likeducksfeet,ikhi,waln
...