小说站
www.xsz.tw栗子小说 m.lizi.tw栗子小说 m.lizi.twuts,
hazelnuts,etc.ofdetail.the
sutuousfeastinsideseen,butonlysuggestedbytheseleftoverstobe
throotherefuseheap.theionisthereforeeverything,onh
dependsverylargelythepoeticqualityoftheisshyhtportrayaland
italething
fortheigination
hadesepaintingreient,hophasisoion
oreatteroftheheadthanoftheheart,itruckablindalley,
forart,arilytoourfeelingsandoursenses,wouldhave
degeedintoatheti.noauntofteical
skillorcleveessofintellectualiongiveusgreatart,ifitfailstoachieve
anatsphereandevokeinusasyathetiotion.hisinallgreatpaintings,oodisthereforeeverything.the
draerelytosuggesttheabsenceofany
boatnnearby,andthatabsei,it
evokesinusaodofsolitudeanddesolatiodriftacross
bytheforceofthecurrentifitesaliveandfullof
aningtousonlyhattheboathavedriftedacrosslikethat
ifithadnotbeealone,andthisleadstoarefleonthedesolationofthe
seotions.ofavailisittopaintthesignofa
boogrovebythebridgeunlessagihe
peopleightbegatheredinthatehangsheavyandlifeis
atpeadnspendans
rheutisndthequeensgirlhoodronoodis
thereforeeverything,inpaintingasiry.thisleadsustoaionof
”atsphere,5othericvitality,”hehighestideal
ofesepaintingforthelastfourteenhundredyears,sincehsiehhofirst
enunciateditandotherpainterselaboratedanddiscussedandquarrelledoverit
forustreerthattheesepaintersdidnotereaccuracyofdetail.
sutungposaid:”ifoicizespaintingbyitsverisilitude,onesuanding
issilartothatofachild.”buttakingaereverisilitude,hasthe
paioofferus,afterall,isthepurposeofpaintingtheanshatthe
artistshouldousthespiritofthespathetic
odinrespohatisthehighestobjedidealofeseart.we
reerhoakesperiodiountainstorefreshhis
spiritiainairandulateddustofurban
thoughtsandsuburbanpassions.heoral
andspiritualelevation,andhebravestheselfinraintolistento
thethunderingongpilesofksandbrushwood
andhideshielfinbaoogrovesfordaysioabsorbthespiritoflifeand
nature.heshouldousthebeofthatnionofnature,and
hespiritofthethingsasitisinstilledintohissoul,and
recreateforusapicture,”surchargedoodsandfeelings,evergingand
ight,likeyiijen,giveusalandscapeof
lingistsherodencirclethetrees,
ihegeneralistnessoftheatsphere,or,like
niyiinligiveusapindesolation,htheuntryastretch
ofblankenessareessosparseoffoliagethatonlyafewdanglingleaves
affectusbytheirlonelinessandtheirshiveringld.inthepoosphere
andthisgeneralrhythalldetailstenandonlythetralinood
reins.thatis”rhythcvitality,”ettijuung,thehighestidealof
eetagain
thisisthessageofeseart,thatitteachesusaprofoundloveofnature,forthe
dofnature.thebestofelandscapes,likerots3giveusthe
saatsphereandthesafeelingfoature,butirayalofhunfor,
theisdesubservienttothe
forofnature.ifthereisanyapprealehunforssuch,wesee
notraalefest,
notthebeautiesoftheirbodiesbutthelihehehis
anbody,espealebody,seetotobethest
singularcharacteristifostsingularntrastbethineseand
eartisthedifferehesourceofinspiratioselfforthe
eastandthefeleforortheindasbeingre
grotesquethanthatafelefigureshouldbelabelled”ion”orthatanude
bathinggirlshouldbedetorepreseeer.”todaynyese
arestilluoreheelvestothefactthatecivilizationrequires
actualliving”dels,”strippedandplacedbeforeoneseyes,tobestaredatdailyfor
te,beforeoneleaeventhefirstessentialsofpainting.of
ursetherearealsonyeersy
ther”abovetheirntelpiedutelatea
felefigurecalled”ion.”thereisstilltodayalargeproportionof
englishandarisocietyuresintheirflatsby
sayingthattheroosrentedfuished,andknotodoha
vienneseporeoftheirfriendshavepreseheorchrists,
theygenerallybanishtheaionbycallihings
”art,”andtheonesadethen”cr
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