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www.xsz.twdeparted.”thedifference
betereesayitbeautifullyandothersdo
not,andtheyorebeautifullythanotherssurvive.
thelyriakesitpossibleforustardliteratureasa
refleanssoul,andtardanationsliteratureastherefleans
spiritinthatnation.foriflifeybeparedtecity,ansay
beregardedasthehecity.inreadinga
nshisgarretainaviewof
lifeastheountainpeaksliningthehorizon,
andthealleye,butthatgarretviewof
thecityisindividualistidpeculiarlyhisoionsliteraturewe
arethereforebuttryingtogetagliseoflifeasthebestndsofthatnatio
andastheyexpressitthroughtheiroediu
ii.languageandthought
theaediuortheeselanguage,haslargely
deterhepeentofeseliterature.byparisonhthe
europeanlanguagesitispossibletotracehouchofthepeculiaritiesofese
thoughtandliteratureareduesilytotheirpossessionofasocallednosyllabic
language.thefactthattheesespokeinsyllableslikegyg>gwas
appallinginnsequeerhecharacterofthe
eseing,andthecharacteroftheeseingbroughtaboutthentinuity
oftheliteraryheritageandthereforeeveninflueheisfese
thought.itentofaliterarylanguagequite
distinadeleaingdifficultand
eddirectly
iofcertainpeculiaritiesofeseliterarystyle.
everynationhasdevelopedaostsuitabletoitslanguage.europedidnot
developaingonpictorialprinciplesbecausethephoicstructureof
indogernicparativeprofusionofnsonantsand
infinitelyvariablebinations,requiredananalyticalphabet,ahe
representationofthese
ofideographsuldbeusedalone,andithecaseofese,
hepictorialprinciplebythephoiciplebeforeit
uldhaveanyiortantdevelopnt.theseelentarypictographshenused
inbinationspurelyfortheirphoicvalue,andactuallyhsoftheover
fortythousandcharactersinesediariesarebuiltontheprincipleofphoic
bination,haboutthirteenhundredideographsasphois.ha
nosyllabiguage,suchastheese,fourhundred
syllabiationsnotuntioneslikeg9g,g,thisuld
suffice.butaniguagetheiionofanebolfor
everynebinationlikeschladkraftingernor
scratched,scraped,splashandscalpelinenglishpossible
task.theeselanguagefailedtodevelopaphoicscriptintheesense
bebolsuldsuffice.hadtheese
beed.ngalanguageanschladkraftorthe
englishscratchedandscalpel,theyy,ieda
phoicscriptlongago.
theperfectadjustonosyllabiguageaen
charactersbeeasilydeplain.thelanguageischaracterizedbyagreatscarcity
ofsyllabisandnsequentlyagreatnuerofhonyorhe
sasound.thesoundpaooveradozenthings:”apackage”tocarry
”ach,””abubble,”etcethepictorialprincipleitedin
applicationtohingsoras,andplicated,theinalspurelyphoicvalueand
”borroesound.happehenhat
thereoreorlessfixedinthe
handynasty,berofsuch”bdifferent
things.yforcedtheesetoaddasigncalled”radical”toindicatethe
classofideashisparticulareoreferto.
theuseofphoicsyolstooexadhencehefollowing
odeese,alltenh
theinal”package”signgj,buteachtakingaclasssignorradical,as
thuspaoplusa”hand”radieanstorun,plus
”eansagoeansach,plus”er”
ansabubble,plus”fire”ansfirecrackers,plusa”fish”ansthenaofafish,
plus”flesh”anstheb,plus”stone”ansaouth”ansto
roar,plus”grass”ansafloeanshail,plusa”knife”ansto
sofhony.
butsupposetheprobleny,supposetheeselanguagehad
heenglishscraped,scratched,andscalpel,orsupposetheenglishpeople
startedouthabasicphoicpictureforscap,theyed
equallybyytodistinguishbethesoundscapeandscape,orbetween
scapeandscrape,orbetd
theresultuldnothavebeenanythingexceptanalphabethsignstodenotes,r,
edt},p,ch,etc.hadtheesedohistheytoo,and
nsequentlyhavehadareeracy.
given,therefore,thenosyllabiccharacteroftheeselanguage,itost
iablethatpictorialcharactersalonehasprofoundlyged
thecharacterandpositionofleaingina.bytheirverynaturetheese
charactersare
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