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www.192.twpainting,andofallpainting,is;shallbedoneh
thelinesorstrokesaspaintisputchevasorinkonthesilkitisapurely
te,theproblef”touch.”butnoartistescapeit,aouch
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traofitsown.sooneror
later,tiredofit.
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ahzuc.700760,
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thenaturalrhythfastrokelaidhthesensitivebrush.
infact,itzusstrokesthathispupilg
hsucreatedtheextrelysstyleofentwiningropesin
calligraphy.ochieh,699759furtherdeveloped
anddifiedthestrokeinpainting,sotisabolishingthe
traditionalthodof”tragoutlines,”andnsequentlyis
generallycreditedhhavingfouhe”southeschool.”
itsfarreagnsequencesweshallsoonsee.
thesendprobles:hoheartistspersonalitybeprojectedintothework
aeofanart,transilitude,
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artistsoerevoltthehistoryofeseartinthe
eighthturyhtheiredordissatisfiedhphotographic
reproduaterialreality.
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etionsorreashad
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aboutanth,hallitstraceryolours,whilewudidhisgrand
landseinsplashesofink,andthe
eerorsaid,”lissuhstindiditinanth,andziididitinaday,andeach
isperfeitsownway.”
iistryca,thereclass
landscapepainterhielf,arodutoitthespiritandteiqueof
,itslyriosphereand
itspahusthe”fatherofthesoutheschool,”akesesepainting
deservedlyfaus,annurturedintheesepoeticspirit.
entthattheeseartistiiusfirstbesciousofitseinthefourth,fifthandsixthturies.itwasin
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erelybeautifulbuthadbeautyandpoweran<finesse
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thencathegreateighthtury,ereasoiorother
quiteexplaihescreativeperiodofesehistory,inpainting,poetry
ancprose.thecauseleastpartiallytobefoundinth<infusionofnewblood
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ixtureostactivebutk
readequategenealogicaldata.anyanspiritbecafreeaive.
thisberofotherfirstclaapoets:li
ssuhsdn,the”ninnstyleand
yenalstyleofcalligraphy,andhanytiinprosewangwei
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nasinesehistory.andinthistury,too,abeautyofbeauties,yang
kperorpanyandgracetheurththepoetli
po.xorhisperioddistinguishedbypeace,either.
hoaybe,the”southeseintobeing,anditisthesouthe
sostpeculiarlyese.thistype
ofpaintingbeohe”scholarspainting,”andlateronintheeleventh
ifei
10501107andhissonyiijen10861165,itreachedstillgreatersilicityand
subjectivity.itenspainting.”sutungpoevenpainteda
baootreehoutitsjoints,
...