栗子小说 m.lizi.tw栗子网
www.lizi.tw栗子小说 m.lizi.tweddle
agesexceptinrussia,osaiters
hadfoundarefugeafterthefallofnstantinopleandntinued
tooanttheheorthodoxchurchesuntil
thedayofthebolsheviki,hereothebuilding
ofchurches.
ofurse,thediaevalpainteruldxhisloursh
theeroftheplasteruponthewallsof
thechurches.thisthodofpaintingupon``freshplaster
ing
auries.today,itisasrare
astheartofpaintingniaturesinnuscriptsandang
thehundredsofartistsofourdecitiesthereisperhaps
oneediuuccessfully.butduringthe
ddleagesthereherheartistswere
``fresethier.thethod
hoaidisadvantages.veryoftenthe
plastercaoffthepness
spoiledthepictures,justasdanesshepatte
inableexpedient
togetathisplasterbaix
theirlourshhhoneyandh
thestickyethodsisfactory.
forrethanathousaheseexperints
ntinued.inpaintileaves
ofnuscriptsthediaevalartists
etlargespacesofoneh
paintick,theydidnotsucceedverywell.
atlast,duringthefirsthalfofthefifteeury,the
probleesoutheherlandsbyjanand
hubertvaneyishbrothersxedtheir
painttouse
oneoranythingelseasabackgroundfor
theirpictures.
butbythistithereligiousardouroftheearlyddle
ageshingofthepast.therichburghersofthecities
hebishopsaspatronsofthearts.andas
artinvariablyfollohefulldinnerpail,theartistsnowbegan
toployersandpaintedpicturesfor
kings,franddukesandforrikers.hinavery
shortti,thehodofpaintinghoilspreadthrough
europeandineveryuntrytheredevelopedaschoolof
specialpaintinghecharacteristictastesofthe
peoplefortheseportraitsandlandscapesade.
inspain,forexale,velasquezpaidwarfs
andtheheroyaltapestryfactories,andallsorts
ofpersonsandsubjeectedhthekingandhisurt.
butinholland,rerandtandfranshalsandverer
paihebayardofthertshouse,andtheypainted
hisratherdoptiouschildren
andtheshipshish.initalyon
theotherhand,aihelargestpatron
ofthearts,chelangeliontiopaint
donnasandsaints,hearistocracy
he
kingshadbeeupperstie,theartistspainted
distinguishedgentleneersofthegovent,
andverylovelyladiesajesty.
thegreatgeinpainting,eabouththe
oftheoldchurdtheriseofaney,
sofart.theiionofprinting
haddeitpossibleforauthorstoeaation
byultitudes.inthiswayarose
theprofessionoftheandtheillustrator.butthe
peopleoneyenoughtobuythene
thesorteofnights,lookingattheceiling
orjustsitting.theyused.thefeinstrels
oftheddleagesandfor
eainnt.forthefirsttisiheearlygreekcity
statesofthousandyearsbefore,theprofessionalplay
hadaiddleageshad
knoerelyaspartofcertainchurchcelebrations.
thetragediesofthethirteenthandfourteeuries
hadtoldthestoryofthesufferingofourlord.but
durieeurytheadeits
reappearaistruethat,atfirst,thepositionofthe
professionalplayandactoraveryhighone.
shakespeareofcircusfellow
usedhisneighboursedies.
butheyear1616hehadbeguntoenjoythe
respectofhisneighboursandactorss
ofpolicesupervision.
snteorary,lopedevega,theincredible
spaniardehan1800worldlyand4ious
plays,hepapalapproval
uponhisan,
edpanionshipofnoneless
thankinglouisxiv.
siheheatrehasenjoyedaneverincreasing
affeoofthepeople.todaya``theatreispart
ofeveryaofthe
vieshasperatedtothetiofourprairiehaets.
a,hoethestpopularof
all.thatusisdendeda
greatdealofteicalskill.ittakesyearsandyearsofpractice
beforeourandsof
thebrainandreproduarble.
ittakesalifetitoleahooactorhooeagood
novel.andittakesagreatdealoftrainingoofthe
publictoappreciatethebestinpaintingandingand
sculpture.butalstaeonedeaf,
folloosteverybodyentoutof
sosortofsic.theddleageshadheardalittlesic
butithadbeeirelythesifthechurch.theholy
tsandharny
andsoonthesebeotonous.besides,theyuldnot
arketplace.
therenaissane
intoitsoan,bothinhishappinessand
inhissorrows.
theegyptiansandthebabyloniansandtheajews
hadallbeeloversofsic.theyhadevenbined
differentinstruntsintularorchestras.butthegreeks
hadfrohisbarbaricfnheylikedto
hearanreerandpindar.
they
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