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hadthenortheracesbeeninflueheirsoutheneighbours
thattheiropletely
suoodbythepeopleofitalyaedby
thetigated.
youhaveallheardthehic.youprobablyassociate
iththepictureofalovelyoldcathedral,liftingitsslender
spirestodoesthewordreally
an
itanssothing``unuthand``barbaricsothing
ightexpectfron``uncivilisedgoth,arough
bafortheestablishedrulesof
classicalartandodehorrorstopleasehis
oplesof
theforundtheacropolis.
aforseveralofgothicarchitecture
hehighestexpressionofthesincerefeelingforart
aprevious
berhoiddle
ageslived.uheysanddinvillages,
theye
foratribe.andindeed,behindtheirhighheirdeep
ats,thesegohersenwhoshared
thendangersandeheyandprosperity
theirsysteftualprote.
intheoldgreekandroncitiestherketplace,where
thetelestood,hadbeereofciviclife.during
theddleages,theesucha
tre.odeprotestantpeople,oourchurch
onlyonceahenforafewhoursonly,hardlyknow
ediaevalunity.then,before
youakentothechurchtobe
baptised.asachild,youvisitedthechurchtoleatheholy
storiesoftheseaer
oftheion,andifyou
yourselfaseparatelittleeryofthe
patronsaintofyouroily.asforthesacrededifice,
itanyofthenight.in
acertainsereseledadeclub,dedicatedtoallthe
inhabitantsofthetohechurchyouverylikelycaught
afirstgliseofthegirleyourbrideata
greatybeforethehighaltar.andfinally,he
endofthejoueyhade,youhthe
stohisfaliarbuilding,thatallyourchildrenandtheir
grandchildrenghtpassoveryraveuntilthedayof
judgent.
becausethechurlythehouseofgodbut
alsothetrueohebuildinghadtobe
differentfronythingthathadeverbeennstructedby
thehandsofelesoftheegyptiansandthe
greeksandtheronshadbeeheshrineofalocal
divinity.asnesof
osirisorzeusorjupiter,itnecessarythattheinterior
offerspaultitude.allthereligiousprocessions
oftheoldditerraneanpeoplestookplatheopen.but
ih,heherwasusuallybad,
stfunsheroofofthechurch.
duringuriesthearchitectsstruggledh
thisproblefnstrugabuildingthatwaslarge
enough.therontraditiontaughttheoobuildheavy
stohewallslose
theirstrength.oopofthistheythenplaceda
heavystoneroof.butihtury,afterthe
beginningofthecrusades,hearchitectshadseenthe
pointedarohaedanbuilders,theebuilders
disveredaheirfirstcetoke
thesortofbuildinghosedaysofanintensereligious
lifedended.aheydevelopedthisstrayleupon
ptuousnaof``gothirbarbaric.
theyachievedtheirpurposebyiingavaultedroofh
e
tooheavy,an
ofthreehundredpoundssittingdohildschair
ethisdifficulty,certain
frencharchitectstheoreenforcetheh
``buttresseserelyheavyssesofstoneagainst
heheysupportedtheroof.and
toassurethefurthersafetyoftherooftheysupportedtheribs
oftheroofbysocalled``flyingbuttresses,averysile
thodofnstruandatoncewhen
youlookatourpicture.
thishodofnstrualloheintrodu
ofenorushethtury,glassill
anexpensivecuriosity,andveryfeebuildingspossessed
glasshecastlesofthenobleswere
houtproteandthisatsfortheetealdrafts
andexplainshatdayworefursindoorsas
.
fortuheartofkingllass,hh
theaerraneanhadbeenfaliar,
hadnotbeeirelylost.thereained
glasskingandsoonthehegothicchurches
toldthestoriesoftheholybookinlittlebitsofbrilliantly
louredework
oflead.
behold,therefore,thenewandglorioushouseofgod,
filledultitude,``livingitsreligionasnopeople
haveeverdoherbeforeorsihingisnsidered
toogoodortoostlyortoohishouseofgod
andhoofn.thesculptors,hedestru
oftheroneirehavebeenoutofeloynt,haltingly
retutotheiobleart.portalsandpillarsandbuttresses
andicesareallveredagesofourlord
andtheblessedsaints.theeroidererstooaresettowork
toketapestriesfortheheir
highestartthattheshrihealtarybeplete
adoratiohepainterdoeshisbest.poorn,
heisgreatlyhandiediu
andtherebyhangsastory.
theronsoftheearlychristianperiodhadveredthe
floorsandtheplesandhousesosaics;
picturesdeoflouredbitsofglass.butthisarthadbeen
exceedinglydifficult.itgavethepainteocetoexpress
allheedtosay,asallchildrenko
kefiguresoutoflouredblocksofof
saitingthereforediedoutduri
...