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www.lizi.twthebushinessofthebear,thesliessofthestork,or
theruggednessofthepinebraninnature
eddirectlyorilythe
inspirationforaparticular”style.”ifaesescholarseesacertaiyinadry
viscarelessgradelasticstrength,thetipoftheendcurlingupwardand
afeostappropriately,hetriesto
inrporatethatintohising.ifanotherscholarseesapireethattsitstrunk
andbendsitsbranchesdoeadofuphshowsawonderful
tenacityandforce,healsotriestoinrporatethatintohisstyleofing.wehave
thereforethe”dryviyleandthe”pinebranonk
andcalligraphisthadpractisedingforyearshoutresult,andonedaywalking
onauntainpathhecedupontingsnakes,eachstrainingitsneck,
thisinspirationhedevelopeda
stindividualistictypeofing1,calledthe”fightingsyle,suggestingthe
tensionaofthesnakesnecks.thushih321379,
sof
igeryfroature:
everyhorizontalstrokeislikeassofation,everyhooklikeabentboahighpeak,every
tuingofthestrokelikeabrasshook,everydralinelikeadryvineofgreat
oldage,andeverysarokelikearunneronhisstart.
onederstandesecalligraphyonlyo
theforndrhythineveryanilsbodyandlis.everyanilbody
hasaharnyayofitsoonyitsvital
fuhehairylegsandtallbodyofthe
draughthorseareasofbeautyastherelyfordoutlihe
raosilihes,springinggreyhound,as
itexistsalsointhatofthehairyirishterrier,bsendalstin
squarefortions梥trikinglyrepresentedinesecalligraphybythebluntlishu
stylecurrentinthehandynastyaedintoanartbytengshihjuofthe
ghingdynasty.
theiortantthingtoobserveisthattheseplantandanilforarebeautiful
beovent.nsiderasprigofplulosso.how
carelesslybeautifulandartfullyirregularitistouandthebeautyofthatsprig
fully,artistiisndofese
art.thesprig,evens,isbeautifulbecauseitlives,
becauseitexpressesalivingiulsetogrolineofeverytreeexpressesa
rhythesultingfroulses,theiulsetogro
topulsetointainitsequilibriuandtheyof
resistiofthereeisbeautifulbecauseitsuggeststhese
iulses,andpartienttoewhere,a
stretgtoething.ithasnottriedtobebeautiful.ithasoolive.
yettheresultissothingperfenselysatisfying.
nordoesnatureartificiallyihegreyhoundits
funs:thehigharchofthegreyhoundsbodyandtheinglis
bodyanditshindlegsarebuiltforsness,andtheyarebeautifulbecausethey
suggeststhisharniousfunergesaharniousfor
thesoftnessoftheesinessofitsntourandeven
thejoggedsquattingoutlineofabulldoghasabeautyofforcedlitsohe
explanationofnaturesinfiniteriess>fpattes,onious>
alic.
thein,adistinguishedscholarhis
us.note
thateveryaderapidlyinantrollingrhihhvti
tv玸c.;t玦;:rr~~elyvariablehouteverexhausting
itsfor.inotheridnotastatic,beauty.
itisexaoventiicbeauty,abeauty
ofntuitlives,andit,too,isinfinitelyvariablehoutexhaustion.as,
surestrokeisappreciatedbecauseitisdeslyandpooroke,thus
possessingaunityofvent,defyingitationorrre,foraionis
iediatelydetectedasdisharnious.ially,thatis
issodifficult
thattheassticipleisnot
oeat”bones”and
”tendons”ofstrokes,althoughtheirphilosophiciorthasneverbeennsciously
laidbareuntilohinkofeansbyhcalligraphybe
deintelligibletotheeietalentedauntofhih,
said:
intheingofththofstroke,thecharactersare
”bony”;intheingofthoseskilfulingivingstrengthofstrokes,the
charactersare”fleshy.”eatis
called”sineing,”andingthatisfoiloffleshandalled
”piggying.”aingthatispoingthathas
herpoweorsinewsislikeaninvalid.
thedyresultsinaprincipleofstructurehis
essentialtoaandingofesecalligraphy.therebeautyofbaland
syetryisneverregardedasthehighestforoheprinciplesofese
ingisthatasquareshouldneverbeaperfectsquare,butshouldbehigheronone
sidethaher,andthatttriilar
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