栗子小说 m.lizi.tw栗子网
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www.lizi.twnalpattesofthoughtandstyle.ithasacultivated,
superrefieique,butitlacksgrandeurandpohefeelingone
getsontuingfrosandesedrasare
essentiallyregarded,ashasbeenpoi,asallesisliketuing
fronexquisitepluranuchsuperiorin
freshness,riessandvariety.
eselyricsaredainty,butneverlongandneververypoheirvery
terseness,narrativeanddescriptivepassagesarenecessarilylitedincharacter.in
thedrasthespeandstyleofpoetryaredifferent.wordsareusedhwould
havebeebytheurtcriticsasvulgar.igesarise,anddratic
situationsarepresentederarypoh
dearlyaionsreachaheight
unattaiheexquisitequatrailihelanguageitself,he
pehhua,beingfreefrohe,naturalnessand
virilityentirelyundreadofbefore.itisalanguagetakenrathepeoples
uths,andshapediybyselvesfreeoftheclassical
standardsand.so
stersoftheyuandrausedatoisitablebeautyofitsown,
odeeseorintoanyfnlanguage.it
lybesuggestedinthefollowing:
zzy,dizzy,lackadaisical,iquattingsgsglyon
ahendivan.
clatter,patter,theoldpopoisshakingherarsegreatbig
grainpan.
lousy,slouchyliesthedonkeyuhewillow,hislegs
sprawling,
lapping,patting,thatolieshandonthedonkeysneckis
pawing.
oh,awhile
oh,awhile
tilikeabulletpastawindowisflying
桵achihyuan:huangliangng.
atitotheexigeheoperaticairs,but
thelineswas
broaderaabletotheveacularlanguageihe
liberationoftreachievedinthesungtguinatinginsongsaheseairs,
alreadyprovidedforatreularlengths,obeyihfthespoken
ratherthareoreencipatedinthedras.
asanapproxiteexaleofthisirregulartre,igivehereanenglishrendering
ofpassagesintheberasterpieceofthefirstorderinese
literature,hebeautyofinging,theheroine:
beforeshespoke,shehadreddened,
likeacherryripebroken,
likeastatueolten;
inant,
shedhavespoken
astringofnotessandgolden.
uedsideyhe
folloanner:
sidelining,
herjadehairpindeing,
brooonreing,
intoherblackvelvettelesresigning.
oveditribed:
nooveshersteps,ing,pretty,
hersoftlikeasoutheditty,
sogracefullyslender,
sohelplesslytender,
likesbeforeazephyrgiddy.
itisiingtonoteherethatrhythsuoodinesedraticpoetryand
ininusic.
thereisnoreasoaltresofthreesshouldnotbe
usedinsokindularbinationinenglishpoetry.thishasbeendoneh
greatsuoredulatedrhythbr >
tharaightuseofthreesthroughouttheliheideaish
experintbysoqualifiedenglishpoets.
throughitsiensepopularitythetheatrehasachievedaplathenational
eselifeverynearlyrrespondingtoitslogicalplaanidealrepublic.apart
froeausic,ithastaughttheesepeople,
oveiypertofareilliterate,aknoazing,
crystallizing,asithefolkloreairehistoridliterarytraditioninplays
ofonnand
en.thusanyahhasaliveliernanyhistorical
heroeslikekuanyii,liupei,tsaotsao,hsuehjenkingshanandyang
kherintitekno
attendiheatresinyssionaryeducation,andhadto
leaitallpieyteensiknew
joshuastruetsbleheididnotknoili
thirtythatenggniicriedoverthebonesofherhusbandwhohaddied
buildingthegreatlabour,thetorrentofhertearswashedawaya
seofthegreatongthe
illiterateese.
butthetheatre,besidespopularizinghistoryandsigthepeople,hasan
equallyiortantculturalfuninprovidingthepeopleoral
notionsofgoodandevil.practicallyallthestandardizedesenotionsofloyal
nistersandfilialsonsandbraveaidensand
intriguingidservantsafereflectedinthecurrenteseplays.representedin
theforfstoriesanaybe,
theysiotheirralnsintzusfilialpiety,angingspassion,yaastes,
kreason,yensungsgreedandcruelty,chukoliangsstrategy,gfeis
quickteer,andliensreligioussanctity梩heyall.beeassociatedinthe
eseheireionsoodandevilnduct.
thestoryoftheroheguitarpipachiisgiveoshohetypeof
ralinfluenpleof
thekindofstory,
...