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www.192.tweseveraldigressiveessaysintheurseofthiswork.
aionhoutproof.
andhereybeledtoopenanewveinof
knohathbeendisvered,hathnot,toour
rerance,beehis
veinisnootherthanthatofntrast,hroughallthe
ayprobablyhavealargesharein
nstitutinginustheideaofallbeauty,asuralas
artificial:foronstratesthebeautyandexcellenceof
anythingbutitsreversethusthebeautyofday,andthatof
suer,issetoffbythehorrorsofnightander.and,ibelieve,
ifitantohaveseenonlytheter,he
perfectideaoftheirbeauty.
buttoavoidtooseriousanair;itbedoubted,butthatthe
fianinthesin
theeyeofanhercasttheladies
theelvesseeosensibleofthis,thattheyareallindustrious
toproselves;fori
haveobservedatbathparticularlythattheyendeavourtoappear
asuglyaspossibleintheing,iosetoffthatbeauty
heyioshoheevening.
startistshavethissee,perhaps,
havenotchstudiedthetheory.thejehatthefi
brilliantrequiresafoil;andthepainter,bythentrastofhis
figures,oftenacquiresgreatapplause.
agreatgeniusangusatterfully.iot,
indeed,rangehinderanygeneralheadofnartists,ashehath
atitletobeplagthose
iasquivitaxluereperartes.
proved.
iaheiorofthatstexquisiteeainnt,
e.
thiseainntnsistedofts,heior
distinguishedbythenasoftheseriousaheserious
exhibitedacertainnuerofheathengodsandheroes,whowere
certainlythepanyintohanaudiencewas
everintroduced;andknoofeually
inteobe,iontrasttheicpartofthe
eainnt,andtodisplaythetricksofharlequintothebetter
advantage.
thisthe
ntrivanceheless,ingeniousenough,andhaditseffect.
andthisic,we
supplytheily
dullerthananythingbeforeshohestage,anduldbesetoff
onlybythatsuperlativedegreeofdulnessposedtheserious.
sointolerablyserious,indeed,hesegodsandheroes,that
harlequinthoughtheenglishgehatnaisnotatall
relatedtothefrenuchreserious
dispositiohestage,asherelievedthe
audiencefroany.
judiciousershavealisedthisartofntrasth
greatsuccess.ihavebeensurprizedthathoraceshouldcavilat
thisartinhor;butindeedhentradictshielfinthevery
line:
indignorquandoquebonusdortathorus;
verupereinlongofasestobreperesou
igrieveifeergreathorcetosleep,
yetsluersonlongtocreep.
forehave,thatan
authoractuallyfallsasleeping.itistrue,that
readersaretooapttobesoovertaken;butiftheworkwasaslongas
anyofoldxohorhielfistooertaiobe
subjecttotheleastdror.popeobserves,
sleeplesshielftogivehisreaderssleep.
tosaythetruth,thesesoporificpartsaresonysesof
seriousartfullyirastaoffthe
rest;andthisisthetrueaningofalatefacetiouser,who
toldthepublicthatightbeassured
there.
inthislight,then,orratherinthisdarkness,ihe
readertoheseinitialessays.andafterthiswaing,ifhe
shallbeofopinionthathefindenoughofseriousinother
partsofthishistory,heypassoverthese,inhweprofess
tobelaboriouslydull,ahefollothesend
chapter.
chapter2
inanyfriendlyvisitsduringhis
;efiouchesofthepassionoflove,scarce
visibletothenakedeye
tooneshadnyvisitorsduringhishoughso,
perhaps,..all
alsteveryday;butthoughhepitiedtosufferings,aly
approvedthegallantbehaviour;yethe
thoughtthistoasober
senseofhisindiscreetndudthateadviceforthat
purposeuldneverbeappliedatareproperseasonthanatthe
present,indenedbypainandsiess,and
alardbydanger;andbarrassedhthose
turbulentpassionshepursuitofpleasure.
atallseasons,therefore,anhthe
youth,especiallyhelatterotallyatease,hetook
oindhifhisforrscarriages,butinthe
ldestandtenner,andonlyiointroducethe
cautionurebehaviour;”onh
alone,”heassuredhi”y,andthe
kindnessightyetprosehielftoreceiveatthehandsof
hisfatherbyadoption,unlessheshouldhereafterforfeithisgood
opinion:forastohadpast,”hesaid,”itshouldbeallfiven
andfottehereforeadvisedhiokeagooduseofthis
aightproveavisitationforhisown
good.”
thtyassiduousinhisvisits;aoo
nsideredasickbedtobeanveseforlectures.his
stile,hooreseverethan.allhys:hetoldhis
pupil,”thatheoughttolookonhisbrokenliasajudgntfrobr >
heavenonhissins.thatitehiobedailyonhisknees,
pforththanksgivingsthathehadbrokenhisarnly,andnot
hisneck;e
futureoccasion,andthat,perhaps,notv
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